This is a good, thoughtful blog post about digital comics. Worth the quick read. ~ eP

archiemcphee

archiemcphee:

A couple months have passed since we last paid a visit to Department of Awesome Book Art. These beautiful book sculptures were created by UK-based mixed media and collage artist Kerry Miller. Using old, discarded books as her subjects, Miller gives new life to each abandoned volume by painstakingly carving out and arranging the illustrations found within them. Sometimes she also uses inks or watercolors to enhance those illustrations.

“My work is a means of distilling the essence of a book, whilst releasing the images and allowing them to reach a new audience. I view it as a collaboration, a partnership with the past, giving new purpose to old volumes that may otherwise never see the light of day or simply end up in recycling. As technology threatens to replace the printed word, there has never been a better time to reimagine the book.”

Visit Kerry Miller’s website to check out more of her bibliotastic artwork.

[via Twisted Sifter]

txchnologist

txchnologist:

3-D Interactive Display Uses Fog As Screens

Engineers have built an interactive display using a tabletop system and mounted personal screens made of fog. Projectors light the fog for each user and a camera system monitors movements, allowing each person at the table to manipulate and share three-dimensional data.

A team at the University of Bristol in the UK say their device, called MisTable, is see-through and reach-through. Both fog screens and the table display can be manipulated by users.

"The personal screen provides direct line of sight and access to the different interaction spaces," said Sriram Subramanian, a professor of human-computer interaction. "Users can be aware of each other’s actions and can easily switch between interacting with the personal screen to the tabletop surface or the interaction section. This allows users to break in or out of shared tasks and switch between individual and group work."

Compare this to the Displair, by Russian inventor Maxim Kamanin. See the MisTable video below.

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onceread
theatlantic:

The Underrated, Universal Appeal of Science-Fiction

When I’m introduced to someone as a writer, a now familiar pattern of events often follows.
“Oh, really! How interesting!” the someone—let’s call her Jane—says, sounding quite enthusiastic. “What do you write?”
“Science fiction,” I say.
Jane instantly glazes over. “I’m afraid I never read science fiction.”
In other instances, people who know me have read a book of mine out of curiosity and then told me, in some surprise, that they liked it—“even though I don’t normally like science fiction.” Indeed, when a short story collection of mine won a non-genre prize, it was apparently a surprise to the judges themselves: According to the chair of the judging panel, “none of [them] knew they were science-fiction fans beforehand.”
The assumption seems to be that a book that comes with a genre label like “science fiction” must necessarily be lightweight stuff—not really comparable with “non-genre” works.

theatlantic:

The Underrated, Universal Appeal of Science-Fiction

When I’m introduced to someone as a writer, a now familiar pattern of events often follows.

“Oh, really! How interesting!” the someone—let’s call her Jane—says, sounding quite enthusiastic. “What do you write?”

“Science fiction,” I say.

Jane instantly glazes over. “I’m afraid I never read science fiction.”

In other instances, people who know me have read a book of mine out of curiosity and then told me, in some surprise, that they liked it—“even though I don’t normally like science fiction.” Indeed, when a short story collection of mine won a non-genre prize, it was apparently a surprise to the judges themselves: According to the chair of the judging panel, “none of [them] knew they were science-fiction fans beforehand.”

The assumption seems to be that a book that comes with a genre label like “science fiction” must necessarily be lightweight stuff—not really comparable with “non-genre” works.